Residency Program
Every year, the Residency Program provides a space of experimentation, collaboration, and mentorship for a new group of emerging artists who have been historically marginalized from the art world. The artists, who create work at the intersections of identity, are provided with resources and guidance over a year-long cycle. The program culminates in what is for many residents, their first solo gallery exhibition.
The Residency Program is led by Staff Artists yétúndé ọlágbajú and Leslie Foster.
The application for our 2023-24 cycle is NOW CLOSED.
Thank you to everyone who has applied! Awardees will be announced in June 2023.
Learn more about the residency here.
Featured Updates
Anansi and Salima sit cross legged in the sunny grass after days of intense rain. They sip on butterfly pea flower tea across from each other.
Can machine learning algorithms accurately reproduce the subtle nuance of emotional expression present in traditional dance forms? This is just one of the questions artist, performer, data scientist, and tech entrepreneur Faith "Aya" Umoh explores in her technological-meets-anthropological Level Ground residency show. Raised in Miami in a Nigerian-American family, Aya earned a Master's from Boston University in Biostatistics and Public Health, and she's on a mission to use AI to tell stories in ways that we rarely see.
For artist Gemma Jimenez, moving through Los Angeles is not a passive act.
The person who commutes by bus for hours each day to clean houses for work will experience a much different Los Angeles then the person who drives from their house, to work, in their Tesla.
That's the crux of Jimenez’s first solo show at NAVEL, ‘From A to B and Everything in Between.’
Staff Artists Rebekah Mei and Leslie Foster are headed back to school, this time as educators. They’ve both been part of Level Ground from the very beginning (in 2013) and were our first volunteers to transition to part-time staff 5 years ago. In the last year, they’ve both started full-time jobs in education and are leaving the Level Ground staff team – but not our community!
This year, we received an overwhelming response for the 6th cycle of our art residency program. The number of applications in our open call nearly doubled! It is with great enthusiasm and excitement that we welcome 4 new artists to the Level Ground residency program!
We are so excited to announce the incomparable yétúndé ọlágbajú as our new Director of Art Residency!
We’re seeking a Director of Art Residency to lead and expand Level Ground’s Art Residency program which was established in 2017.
Our stellar community showed up big for this year’s Residency Week. A thank you note from Director of Art Residency, Leslie Foster.
Level Ground is thrilled to announce our next cohort of resident artists: Leo Alas, Raegan Brown, and Bianca Nozaki-Nasser.
Residency alum Rae Threat featured in Transgender Studies Quarterly and “Between the Sheets” with Nico Tortorella.
We’re excited for you to get to know Coffee Kang (she/her), one of Level Ground's three resident artists this year!
Take a minute and get to know Emmet Prieto Webster (he/him), one of Level Ground's three resident artists this year!
This week, we’re so excited to introduce you to gabbah baya (they/them), one of our 2020 resident artists.
Level Ground is pleased to announce our 2020 cohort of resident artists: gabbah baya, Coffee Kang, and Emmet Prieto Webster.
We are so grateful to our inaugural residency selection committee for taking the time to study each application thoroughly and make a lot of difficult decisions.
Intersections of identity
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Intersections of identity •
Residency Projects
Intersections Of Identity
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Intersections Of Identity •
Current & Alumni Resident Artists
Gazelle Samizay
2019 Resident Artist
Gazelle Samizay’s work in photography, video and mixed media has been exhibited at White Chapel Gallery, London; the California Museum of Photography, Riverside; and the Asian Art Museum, San Francisco; and is part of LACMA’s permanent collection. She is also a recipient of the Princess Grace Experimental Film Honoraria.
Coffee Kang
2020-21 Resident Artist
Coffee Kang (b.1994, China) is a conceptual visual artist based in Los Angeles. Working with an expansive range of media, including photography, performance, sculptures, and installation, Kang welcomes the unknown and unpredictable during the process of making and embeds the performative and the temporal to be part of the work. In rejection of product-driven art-making, the making of her works often goes beyond the production stage and continues to evolve during and after exhibitions in relation to time and space. This primary mode of Kang’s practice has also landed on her interest in alternative gallery space and site-specific art. As a queer, a visa holder, an artist of color, and a metaphorically “unhoused” body that is always caught in between a liminal space at the intersection of identities, Kang reflects a sense of loss and longing, and a state of fluctuation in a larger social and cultural context. Taking a personal lens, she implements the aesthetics of melancholy and absurdity and provides intimate access for the audience to engage and resonate with narratives of impermanence and vulnerability.
Bianca Nozaki-Nasser
2021-22 Resident Artist
Bianca Nozaki-Nasser is a multimedia artist, designer, and organizer. Born and raised in Southern California to a Syrian-Lebanese father and Japanese American mother, her work has always been rooted in community social practice. Bianca uses visual and interactive media to understand, interrogate, and critique the ways gender, race, and culture are embedded into material objects, systems, and relationships. Her most recent works explore the concept and paradoxes of time, place, and cartography.
Evelyn Quijas Godínez
2019 Resident Artist
I am a Mexican-American visual artist making works across various mediums like sculpture, collage, paintings, and installation. My practice is influenced by lived experiences, but also the imagined and pieced-together traces of my Indigenous and European ancestors. My surroundings and personal history reflect what I create and send back out into the world.
Aya Umo
2022-23 Resident Artist
Faith ‘Aya’ Umoh (she/her), a Nigerian-American digital artist, data scientist, and CEO of Creative Aya, a global co-creative art and media software company producing AI-driven immersive experiences. Her work has been showcased across the world, including Austria, Dubai, France, the United Kingdom, and the United States with Artsy, VellumLA, and W1 Curates. With over 12 years of experience and a master's in Biostatistics and Public Health from Boston University, Aya has developed over a dozen AI-driven software products. Driven by a deep desire for empathy, collaboration, and innovation, Aya seamlessly weaves the threads of futurism and generative AI into her creations. Her art serves as a conduit for co-creation with AI, an exploration that extends beyond boundaries. With each line of code and human interaction, Aya seeks to ignite a deeper understanding of our shared humanity, inspiring conversations that dismantle barriers and encourages an appreciation for the interconnectedness of all aspects of human experience.
Davia Spain
2022-23 Resident Artist
Davia Spain (she/her) is a performance artist, musician, and filmmaker born and raised in California. She harnesses afro-futurist themes of time travel, multi-dimensionality, and circular time theory to imagine new possibilities for this physical plane. Her education and training in music, dance, acting, and filmmaking started in highschool and continued on through college. In 2017, Spain received her Bachelor's Degree in Experimental Documentary Making (Visual Anthropology) from San Francisco State University. During her time in college, she began working professionally as a performing artist and writer, continuing to hone her skills to date.
Gabbah Baya
2020-21 Resident Artist
Born in 1994 and raised in West Palm Beach Florida, Gabbah Baya has a Bachelor of Fine Arts from Tufts University and the School of the Museum of Fine Arts, Boston. Their upbringing as an Arab American in the United States informs their art through creating alternative narratives and immersive digital environments. As an interdisciplinary worker - using sound, video, and 3D animation - Gabbah Baya develops a world where multifaceted, sometimes contradictory, realities exist simultaneously. Drawing on issues of intersectionality, they form hyperreal spaces to address gender, race, and international politics. Deconstructing hegemonic symbols, Gabbah Baya recontextualizes them in the visual vernacular of video games into new spatial, visual, and sonic realities. These realities ultimately critique U.S. perception of the Middle East, using technology to reassert agency and subvert narratives of social and political power.
Leo Alas
2021-22 Resident Artist
LEO ALAS is a contemporary artist exploring themes around care work and grief, through a Marxist-Feminist lens. Their work journeys into world building and Queer political imagination, exploring what is possible, what is potent, and what is beautiful, in an effort to find healing and joy in late-stage capitalism.
Gemma Gonzalez
2022-23 Resident Artist
Gemma Jimenez Gonzalez (she/they) is a multimedia artist, educator, and community-based urban planner raised in Los Angeles with roots in Veracruz, Mexico. Her transdisciplinary practices bridge urban studies and visual arts to explore community relations, urban ecologies, and mobility. As an avid public transit rider and cyclist Gemma moves through lands envisioning a reality that fosters wonder, connection, and resilience. Gemma is A.C.T. Coordinator with Public Matters and forms part of LA VACAcicleta and the Echo Park Film Center Collective.
Kyla Carter
2022-23 Resident Artist
Kyla Carter (they/them) is a Liberian-American, Los Angeles based multidisciplinary artist (occupied Tongva land) mainly working with textiles, video, and performance to create bridges between reality and memory, allowing new modes of myth-making to take place. In a world where Black bodies are relentlessly exploited, policed, and violated in ways that deny autonomy and leave Black people perpetually navigating pain and trauma, their work aims to liberate Black bodies by honoring their autonomy and creating a space in which communion with the ancestors can take place. Their lens as a Black, queer, trans nonbinary being informs their work, which is rooted in the exploration of Black liberation through kink and the centering of consent, shapeshifting, the healing of trauma in the body, self love, and death.